“Emily in Paris” and the rise of ambient TV.
They're deliberately creating TV content as a background to people's phone addiction now.
It’s O.K. to look at your phone all the time, the show seems to say, because Emily does it, too. The episodic plots are too thin to ever be confusing; when you glance back up at the television, chances are that you’ll find tracking shots of the Seine or cobblestoned alleyways, lovely but meaningless.