| Holds up incredibly well. That car chase through Paris is still as impressive as on first watch. |
| Pretty standard dark comedy of errors. Silly but fun. |
| Heavy-handed and moralising with absolutely no chemistry between the leads. Loses an extra star for explaining Occam's razor twice! |
| Unsettling psychological horror where aboriginal magic meets gentle rural English life and where the border between reality, fiction and madness is a blur. Alan Bates is creepy as hell. Ace soundtrack too, including the titular shout. |
| Incredibly vivid and raw look at the children of the Windrush generation and their life in London between dub, unemployment and institutional racism. And all still relevant today. Great soundtrack too. |
| Endlessly looping scenario with two-dimensional characters who fail to make you root for any of them. There's a good story in there, but the film seems to slalom between important issues rather than send a message. |
| It's grim up north. Uncompromising, brutal and sinister revenge story with great acting and direction. |
| Perversely fun stories of revenge. And with a surprisingly high hit rate for an anthology. |
| Embarrassingly bad. Couldn't even finish it. |
| Starts of strong with a fascinating look into what were ground-breaking makeup techniques and technicians back in the day, then loses a little steam when it diverges into the film's legacy. Worth it for the first part alone. |
